Teo Hernández Movies

A brief tribute to those that have haunted a moment of film history, stars of yesterday: Garbo, Del Rio, Crawford, Marlene Dietrich, Lupe Velez,...

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

Outtakes from the movie

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

The banner of the Cannes Festival shows its three premises: glory, money and politics. If you film the banal, the naive and the superficial of the...

Touching testimony of Teo Hernandez's return to his country after fifteen years of exile.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours...

An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father,...

Short film by Teo Hernández.

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to...

Outtakes from the movie

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...